Indira decides to restart her life and move to London. However, on her last day, she dares to explore what she will leave behind.

Indira decides to restart her life and move to London. However, on her last day, she dares to explore what she will leave behind.

首部聚焦牛奶的大型美食人文纪录片，深入探讨牛奶在人类历史与文化中的重要地位。通过科学知识、生动故事和真实情感，展现牛奶的营养、美味及其对人类生活的深远影响，揭示其在不同文化中的独特价值和意义。

首部聚焦牛奶的大型美食人文纪录片，深入探讨牛奶在人类历史与文化中的重要地位。通过科学知识、生动故事和真实情感，展现牛奶的营养、美味及其对人类生活的深远影响，揭示其在不同文化中的独特价值和意义。

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.

This course offers a broad survey of modern European history, from the end of the Thirty Years’ War to the aftermath of World War II. Along with the consideration of major events and figures such as the French Revolution and Napoleon, attention will be paid to the experience of ordinary people in times of upheaval and transition. The period will thus be viewed neither in terms of historical inevitability nor as a procession of great men, but rather through the lens of the complex interrelations between demographic change, political revolution, and cultural development. Textbook accounts will be accompanied by the study of exemplary works of art, literature, and cinema.

This course offers a broad survey of modern European history, from the end of the Thirty Years’ War to the aftermath of World War II. Along with the consideration of major events and figures such as the French Revolution and Napoleon, attention will be paid to the experience of ordinary people in times of upheaval and transition. The period will thus be viewed neither in terms of historical inevitability nor as a procession of great men, but rather through the lens of the complex interrelations between demographic change, political revolution, and cultural development. Textbook accounts will be accompanied by the study of exemplary works of art, literature, and cinema.

日本TBS电视台从1996年就开始摄制的世界遗产大型系列纪录片，每周播放一期，迄今为止已经连续播出465集。"世界遗产是属于地球和人类的，保护世界遗产业已成为21世纪最大的国际合作。或遭风化或受人为破坏，遗产也许无法永存，而借助数码技术，一旦凝固于影像，便可以高清晰的再现，永久保存。 　　"几乎每个摄制人员都曾有与死神擦身而过的情况，有时我们感叹能够活下来简直是一件不可思议的事。"昔日的艰辛，今天在村国弘（日本TBS电视台资深制片人）看来已成了笑谈，但实际上，在这一张张精彩的照片后有着大量不为人知的艰辛乃至危险。 　　"提起世界遗产，人们往往想到的是中国的故宫、长城，埃及的金字塔，但实际上还有很多不为人所知的地方，比如创立于1930年的跨越大西洋和瑞典的一个通讯广播站，日本原爆点所在地，法国、匈牙利、波兰的葡萄园，有的甚至是人迹罕至、举步维艰。"村国弘回忆，一个摄影组到柬埔寨某地，后来才知道下车的地方就埋着地雷，如果爆炸后果不堪设想；在非洲的森林里，一个导演被毒虫咬了，差点送了命；一个工作人员在航拍时差点从飞机上掉下去…… 　　"且不说每个小组需要搬运的摄影器材就有500多公斤，光是拍摄本身就充满困难，比如有的山峰很高，攀越非常艰难；像长城这样的世界遗产，不仅要拍摄它本身，还要表现出它背后的文化、传统；挪威的一个小木教堂，怎么就这一个简单的对象拍出30分钟的纪录片，也颇费周折。"村国弘说。

日本TBS电视台从1996年就开始摄制的世界遗产大型系列纪录片，每周播放一期，迄今为止已经连续播出465集。"世界遗产是属于地球和人类的，保护世界遗产业已成为21世纪最大的国际合作。或遭风化或受人为破坏，遗产也许无法永存，而借助数码技术，一旦凝固于影像，便可以高清晰的再现，永久保存。 　　"几乎每个摄制人员都曾有与死神擦身而过的情况，有时我们感叹能够活下来简直是一件不可思议的事。"昔日的艰辛，今天在村国弘（日本TBS电视台资深制片人）看来已成了笑谈，但实际上，在这一张张精彩的照片后有着大量不为人知的艰辛乃至危险。 　　"提起世界遗产，人们往往想到的是中国的故宫、长城，埃及的金字塔，但实际上还有很多不为人所知的地方，比如创立于1930年的跨越大西洋和瑞典的一个通讯广播站，日本原爆点所在地，法国、匈牙利、波兰的葡萄园，有的甚至是人迹罕至、举步维艰。"村国弘回忆，一个摄影组到柬埔寨某地，后来才知道下车的地方就埋着地雷，如果爆炸后果不堪设想；在非洲的森林里，一个导演被毒虫咬了，差点送了命；一个工作人员在航拍时差点从飞机上掉下去…… 　　"且不说每个小组需要搬运的摄影器材就有500多公斤，光是拍摄本身就充满困难，比如有的山峰很高，攀越非常艰难；像长城这样的世界遗产，不仅要拍摄它本身，还要表现出它背后的文化、传统；挪威的一个小木教堂，怎么就这一个简单的对象拍出30分钟的纪录片，也颇费周折。"村国弘说。